MARGUERITE
XAVIER GIANNOLI
- 2015

 

Marguerite

Screening followed by a Champagne & Dessert Party in the lobby of the Crest Theatre.

In French with English subtitles.

Bande Annonce
(movie trailer)

AWARDS

- 2016 César for Best Actress (Catherine Frot), Best Costume Design, Best Production Design, Best Sound
- 2016 Lumière Award for Best Actress (Catherine Frot)
- Nazareno Taddei Award, 2015 Venice Film Festival

REVIEWS

A splendid satire. Peter Debruge - Variety

IMPRESSIVE… Catherine Frot in a heartbreaking and hilarious performance… A.O. Scott - The New York Times

Wise, great-spirited and wonderfully enjoyable Joe Morgenstern - The Wall Street Journal

We laugh during "Marguerite," but we don't laugh at Marguerite, because somehow director and co-writer Xavier Giannoli persuades us to see in her the universal tragedy. Mick LaSalle - San Francisco Chronicle

"Marguerite" is a dark delight, a cringe comedy that skirts tragedy throughout, examining delusion, entitlement, denial and the question of whether the truth is essential. Tom Long - Detroit News

Frot's performance is so towering, so convincing, that it smooths out all the film's rough edges. It's a triumph. Bill Goodykoontz - Arizona Republic

Director: Xavier Giannoli

Screenplay: Xavier Giannoli & Marcia Romano

127 min

US Distributor: Cohen Media Group

COMEDY/DRAMA

Rated R (for brief graphic nudity and sexual content, and a scene of drug use)

Catherine Frot: Marguerite Dumont
André Marcon: Georges Dumont
Michel Fau: Atos Pezzini
Christa Théret: Hazel
Denis Mpunga: Madelbos
Sylvain Dieuaide: Lucien Beaumont
Aubert Fenoy: Kyrill Von Priest

1921, the beginning of the Golden Twenties. Not far from Paris. It is party day at Marguerite Dumont’s castle. Like every year, an array of rich music lovers has gathered to enjoy a very private and exclusive musical charity show. And every year, the headliner is the hostess herself. Yes, Marguerite sings the opera. She sings wholeheartedly. But she sings terribly. For years she has lived her passion in a bubble, encouraged by her hypocritical friends and unfaithful husband (André Marcon), and protected from the truth by her devoted manservant and photographer (Denis Mpunga). No one has ever told her how bad of a singer she truly is.

When Lucien (Sylvain Dieuaide), a young journalist involved in the newly born surrealist movement, publishes an ironically raving review of her latest performance, Marguerite decides that it is time for her to perform in front of a real audience. Encouraged by Lucien, who considers her the perfect surrealist art experiment, and despite her husband’s reluctance, she starts training for her first recital in front of a crowd of complete strangers...

Catherine Frot, 2016 Best Actress César Winner, is fantastic as the tone-deaf Marguerite. Her performance is high comedy, but not only because of how badly she sings (we should note that in real life, Catherine Frot sings quite well, which makes her off-key singing scenes even more phenomenal). The best part of Frot's performance, and the key to why the film works so well, is how she conveys the complete and utter extent to which Marguerite believes in her nonexistent gift. And soon our feelings toward her turn from mockery to empathy. Giannoli approaches his character with sympathy, casting Frot for her ability to bring out Marguerite’s all too human side.

Marguerite is loosely inspired by the life of New York socialite Florence Foster Jenkins, an early twentieth century amateur operatic soprano, known and ridiculed for her lack of rhythm, pitch, and tone. Two days following her first and only public concert at Carnegie Hall, at the age of 76, Jenkins suffered a heart attack. She died a month later. You can listen to the real Jenkins "singing" Mozart here! (Warning: she truly was an awful singer!)

An English-language biopic of Jenkins's life will be released later this year. Directed by Stephen Frears, it stars Meryl Streep and Hugh Grant. This could be another award-winning turn for Ms. Streep, as it proved to be for Ms. Frot!

Shown with The Session (La Séance) by Édouard de La Poëze

CLOSING NIGHT
Sunday, June 26 - 7:00pm
ONE SCREENING ONLY!
Followed by a Champagne & Dessert Party in the lobby of the Crest Theatre